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Mark Jenkins reviews movies for NPR.org, as well as for reeldc.com, which covers the Washington, D.C., film scene with an emphasis on art, foreign and repertory cinema.

While working on staff at WNYC, Abumrad began tinkering with an idea for a new kind of radio program. That idea evolved into one of public radio’s most popular shows today – Radiolab

Liz Halloran joined NPR in December 2008 as Washington correspondent for Digital News, taking her print journalism career into the online news world.

Alex Blumberg is a contributing editor for NPR's Planet Money. He is also a producer for the public radio program This American Life, and an adjunct professor of journalism at Columbia University. He has done radio documentaries on the U.S. Navy, people who do impersonations of their mothers and teenage Steve Forbes supporters. He won first place at the 2002 Third Coast International Audio Festival for his story "Yes, There is a Baby." His story on clinical medical ethicists won the 1999 Public Radio News Directors Incorporated (PRNDI) award for best radio documentary.

Joshua Brockman joined NPR in 2008 as a producer for Digital News, covering consumer business and technology for NPR.org.Brockman has a master's degree from the Columbia University Graduate School of Journalism and a B.A., Magna cum laude, in history from Amherst College.

Bruce Warren is assistant general manager for programming of WXPN in Philadelphia. Besides serving as executive producer of World Café, Warren also contributes to Paste magazine and writes for two blogs: Some Velvet Blog and WXPN's All About The Music Blog.

Alicia C. Shepard was appointed NPR's ombudsman in October 2007. In 2000, NPR was the first U.S. broadcast news organization to create an Ombudsman position.

Brooke Gladstone started out in print journalism, writing on defense policy, strip-mining, broadcasting and cable TV. Her freelance pieces (on topics ranging from orgasmic Russian faith healers to the aesthetics of Pampers to NPR's near fiscal crash) have appeared in the London Observer, the Boston Globe, the Washington Post and The American Journalism Review among others. She also covered public broadcasting for Current, wrote and edited theater, film and music reviews for The Washington Weekly.

A nationally recognized tastemaker with a broad knowledge of and passion for music, Rita Houston shapes the musical direction of WFUV's acclaimed City Folk® format. With the help of staff, Houston selects the songs that become part of City Folk®, establishes theme days and creates popular features like "New Release Monday" and "Guilty Pleasures Day." Well-known for her rapport with artists, she books the on-air interviews, hosting a number of them herself. Houston also serves as executive producer of the nationally distributed City Folk Live concert series, and produces annual benefit CDs of performances from WFUV's Studio A.